Friday, 6 October 2023

Micko Westmoreland on The Spammed recording with The Blockheads for The Roots of Punk compilation

 


Wednesday 26th May was the designated recording day for charity supergroup, The Spammed. First through the door of Hackney’s famed The Premises studio is Rat Scabies, a drummer truly like no other. Picking up the sticks, says he hasn’t played since the Damned reunion… but he’s in there instantly, all set up with a minimum of fuss. Next is special guest, Mickey Gallagher, from the Blockheads - what a player! His style has grown over the decades and at the tender age of 78, reached perfection. Our previous keyboardist was the late, great Neil Innes, we miss him bad, but he’ll be with us in spirit on this auspicious day. New boy Paul Cuddeford (Holy Holy/Boomtown Rats), guitar supremo with snazzy Gretsch and big smile shows up. Then Terry Edwards (PJ Harvey/Everybody) with miscellaneous brass under each arm, making light work of what most find difficult to carry. Horace Panter is soon on the scene too, bass player of The Specials, ex special needs teacher and nicked named ‘Horace Gentleman’ for very good reason. The second special guest is Chaz Jankel (Blockheads) taking the production chair for the day; the last three occasions we have had the good grace of Tony Visconti, Nick Lowe and Chris Kimsey (Rolling Stones). Chaz has a zillion credits to his name, co-writing major hits with Ian Dury and collaborators such as Quincy Jones to Sly & Robbie, He’s had trouble getting parked but is very happy to be here. Last through the door the ‘sainted’ Kevin Eldon, the band’s singer, traditionally known for acting and comedy. 

 

The featured track to be recorded is ’Louie Louie’ and it will join some 40 other artists on a themed CD for Specilaized (Teenage Cancer Trusthttps://specializedproject.com). On this occasion the theme is ’The Roots of Punk Rock’.

 

When I first heard the Kingsmen version as a kid, I thought it’s what adults listened to when they were drunk! But it’s the coffee that gets us fired up to move through to the live room and start run throughs. The band is loose, which is code for finding our way into the track. We work it a few times through before Chaz reaches for ‘record’. He’s very keen on feel - together but with swing - that’s how he thinks the track will work. ‘Tight’, of course, is good but ‘tidy’, is not where it’s at.

 

We work up three versions, then have a break and go through to the control room to listen. Expectations are high as a couple of the takes appear to work, the track however is legendary so we are keen to pay it good service. After some contemplation, Chaz wants an alternative without a ‘click’ to see how it plays in comparison. Take 4 sails and it’s a tough call. But the feel of the song resists a strict metronome and it’s this take where we have all fallen into our own rhythm that Chaz opts for..

 

In the meantime, co-organiser, who was there from the very formation, artist Harry Pye has brought a bag of props, it’s photo time. There’s a lot of sailor hats but not quite enough, Kevin nobly dons a lovely blonde curly wig found in the bag and Paul flat cap. We all manage to stand within close proximity with room for elbows for a take on the back cover of ‘Do it yourself’ (1979).

 


Rat scoots off before rush hour but now it’s time for backing vocals, reluctant lead singers form a queue. BV’s are always fun as it’s a team sport where everybody wins.

The later stages of the session polishes up the track with a bold attempt to get the mix to bed on the very day, Louie Louie style. There’s plenty of group discussion about various solos and vocal levels but Chaz has the know-how to make all the experience in the room shine.

 

I cheekily blag a lift with him back to North London, I do have tons of gear. We have a fascinating chat on the way where he tells me about his latest project, a collab with Simon Heath who plays an instrument called the Duduk and talks about his classical music influences which include Mozart and Max Bruch. There’s an adagio melody at the heart of the Symphony in G minor that’s the most beautiful melody he’s ever heard. We part on the front step with a bear hug. What a great day! Joyous memories flood to centre brain.

 

https://specializedproject.com

 


‘The Roots of Punk Rock’ out Autumn 2023

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