Wednesday, 30 March 2022

Always On My Mind: An Exhibition in aid of The National Brian Appeal


Always on My Mind – an exhibition in aid of The National Brain Appeal Featuring work by; Magda Archer,  Gordon Beswick, Sasha Bowles, Nick CaveBilly Childish, Matthew Collings, Alice Herrick, Corin Johnson, James Johnston, Francis Macdonald, Kate Murdoch, Carson Parkin-Fairley, Harry Pye, Elena-Andreea Teleaga, Twinkle Troughton and Tracey Williams The show will be open to the public on Wed 27th, Thurs 28th, Fri 29th and Saturday 30th of July between 12pm and 6pm. The venue is The Fitzrovia Gallery. More news soon....


Above: work by Magda Archer

Above: Untitled painting by Gordon Beswick

Above: Hooded. by Sasha Bowles. 
Oil on Digital Print. 2017.  Approx 27 x 32cm

Above: (38.1 x 48.2cm)Limited edition Elvis silkscreen by Nick Cave


Above: Self Portrait by Billy Childish

Above ‘Krasner and Pollock’ coloured pencils on paper 50x65cmby Matthew Collings


Above: silk scarf by Alice Herrick


Above: Untitled sculpture by Corin Johnson

Above: 'Shadows' by James F Johnston
Acrylic and gold paste on 51cm x 41cm canvas. 2021


Above: 'Elvis' by Francis Macdonald
a5 Pencil drawing

Above: Reflection by Kate Murdoch
Above: J-M B Icon by Carson Parkin-Fairley


Above: 'Always on My Mind' by Harry Pye
Acrylic paint,  marker pen, on canvas.
Size: 65x90cm
Above: collage by Elena-Andreea Teleaga,
Size: A2


Above: The Elvis Impigeonator by Twinkle Troughton.
Print.


Above: Untitled Photograph by Tracey Williams




Tuesday, 29 March 2022

Happy Birthday Eric Idle



The Father, Dogfather, Reader, Writer, lyricist, composer, guitarist and Monty Python star, Eric Idle, celebrates his 79th birthday today. Idle wrote many of Python’s songs including “Always Look on the Bright Side of Life,” and won a Tony for the musical “Spamalot” in 2004.

Above: Idle with George Harrison in 1978

Here are 4 Fab things that Eric Idle did...


1) In the 39th episode of Python, Eric does a brilliant impersonation of Sir Dickie Attenborough handing out the award for the most awards award.


(From the 1983 film The Meaning of Life)

3) Mr Smoketoomuch's famous rant that took place in a travel agents... "Swimming pools full of draft Red Barrel and fat German businessmen pretending to be acrobats and forming pyramids and frightening the children and barging into the queues. And if you're not at your table spot on seven you miss your bowl of Campbell's Cream of Mushroom Soup, the first item in the menu of International Cuisine. Every Thursday night there's a bloody cabaret in the bar featuring some tiny emaciated dego with nine-inch hips and some fat bloated tart with her hair Bryll-creamed down and big arse presenting flamenco for foreigners. And an adenoidal typist from Birmingham with flabby white legs and diarrhea trying to pick up hairy, bandy legged, whop degos called Manuel. And once a week there's an excursion to local Roman remains, where you can buy Cherry Aid and melted ice cream and bleedin' Watney's Red Barrel. And one night they take you to a typical restaurant with local atmosphere and color and you sit next to a party from Rhyl who keep singing "I love the Costa Brava!" "I love the Costa Brava!" And you get cornered by some drunken green grocer from Luton with an Instamatic camera and last Tuesday's 'Daily Express' and he's on and on and on about how it is running the country and how many languages Margaret Powell can speak and she throws up all over the cuba libres. And spending four days on the tarmac at Luton Airport on a five-day package tour with nothing to eat but dry British Airways sandwiches. And you can't even get a glass of Watney's Red Barrel because you're still in England with the bloody bar closes every time you're thirsty. And the kids are crying and vomiting and breaking the plastic ashtrays. They keep telling you won't be another hour, but you know damn well your plane is still in Iceland, because it had to turn back, trying to take a party of Swedes to take a party of Swedes to Yugoslavia. Of course it loads you up there at 3 a.m. in the morning. And then you sit on the tarmac for four hours because of unforeseen difficulties, i.e. the permanent strike of airtraffic control over Paris. When you finally get to Malaga airport, everybody's queueing for the bloody toilet, and queueing for the bloody half-customs officers, and queueing for the bloody bus that isn't there, waiting to take you to the hotel that hasn't yet been built. When you finally get to the half-built Algerian ruin called the Hotel Limassol, while paying half the holiday money to a license Spaniard in a taxi, there's no water in the pool, there's no water in the bath, there's no water in the tap, there's only a bleeding lizard in the bidet, and half the rooms are doublebooked, and you can't sleep anyway, 'cause the permanent are in the jungles in the hotel next door. Meanwhile, the Spanish National Tourist Board promises that the raging cholera epidemic is merely a mild outbreak of the Spanish Conleigh, rather like the previous outbreak in 1616, even the bloody rats are dying from it!"

4) The Rutles. Idle's collaboration with Neil Innes gave us many wonderful songs to learn and sing including, OUCH




The Madness reviewed by J. Clinton

 


The Madness L.P. is available for £20 (free postage) via Music Magpie on eBay. It's not a perfect album but it is an interesting one. The press blurb says: ‘The Madness’ was the only studio album released under the short-lived iteration of Madness known as ‘The Madness’, with Mike Barson, Woody and Mark Bedford all out of the line-up. While it was panned at the time and flopped commercially, it contains some of Madness’s most interesting and experimental work, featuring the singles ‘I Pronounce You’ and ‘What’s That’. 180g vinyl reissue LP on BMG. Brand new liner notes by Chrissy Boy, Chas Smash and Lee Thompson.


Guests that feature on The Madness include members of The Specials, UB40 and Elvis Costello's Attractions plus the band's original drummer John Hassler. The B-Side of 'What's That?' was an amusing tribute to Bryan Ferry called 'F.B.F' The Madness album has a few great tracks; Song In Red, Nightmare Nightmare, and Beat The Bride all of these deserve to be rediscovered. The album was mixed by Hugh Padgham who has worked with Sting and Bowie. Some Madness fans would have wanted Clive Langer & Alan Winstanley in the producer's chair - Langer & Winstanley were the producers on every single one of Madness's many hits. You can see The Madness play 2 two the album tracks live: Here


  1. nail down the days **
  2. what’s that **
  3. i pronounce you ***
  4. oh **
  5. in wonder **
  6. song in red ****
  7. nightmare nightmare ****
  8. thunder and lightning **
  9. beat the bride ****
  10. Gabriel’s horn ***

Text by Josh clinton

Sunday, 20 March 2022

Peter Bowles Obituary and Celebration by Chris Hick


There is still something cosy about watching ‘To the Manor Born’. Made during the hey day golden period of the British sitcom when families would sit in front of the telly in their millions watching their favourite sitcoms week after week. The slot for a new BBC sitcom called ‘To the Manor Born’ was a Sunday evening with the first episode airing on 30th September 1979 at 8.45 with at its peak reaching an audience of 20 million, unheard of these days. This sitcom was created by Peter Spence and starred Penelope Keith, an actress who had become supremely popular since playing the uptight suburban housewife Margo in another fave sitcom of the 1970s, ‘The Good Life’. She upped her class status in ‘To the Manor Born’ to play Audrey fforbes-Hamilton, an old money aristo who is forced to sell her beloved Grantleigh stately home following the death of her husband, the lord of the manor. Enter the son of a half Czechoslovakian/Polish immigrant, Richard DeVere played by character actor Peter Bowles, by now in his 40s. DeVere is a self-made millionaire representing new money in free market Thatcherite Britain. His real name is revealed to be BedÅ™ich Polouvicek who brings his equally formidable mother, Mrs. Polouvicek (nicknamed “Mrs Poo”) to live with him. Audrey moves in with her schoolgirl friend, Marjory to the Lodge at the entrance to the estate. And so starts the show that will build on these characters, aided in a lesser capacity by the wonderful Gerald Sim as the local Rector. From this there develops a chemistry between Richard and Audrey that lasted through the three seasons the show was on TV. Of course Penelope Keith was already a household name and any actor going up against her had to meet the challenge. The moustachioed Bowles as Richard DeVere more than met that challenge and soon became a household name on British TV himself.


Distinctive with his soft features and trademark moustache, Peter Bowles had been on British TV screens for almost 20 years before ‘To the Manor Born’ and had appeared in a number of features as a character actor, rarely ever looking any different. Sadly Peter Bowles passed away on the 17th March at the grand old age of 85, leaving behind a long and fairly distinguished career on the stage as well as the big and small screens. He was born in Upper Boddington, Northamptonshire in 1936 the son of a chauffeur to the Earl of Sandwich and in 1954 he earned a scholarship to RADA. Through the 1960s he began to appear in character parts in a number of low budget features, but was mostly in character parts for TV thriller dramas and armchair theatre dramas. In the late 1960s he began to appear in relatively small roles in films, including a brief part in one of the iconic British films of the decade, Michelangelo Antonioni’s Blow Up (1966) and a memorable role in the superb The Charge of the Light Brigade (1968), both films starring David Hemmings. For the next couple of years he was being offered meatier roles,including co-starring with Nicol Williamson in the drama Laughter in the Dark (1969).




But it was on TV where Peter Bowles started making a name for himself. He appeared in episodes in many key and now cult TV shows of the late 1960s through the ‘70s, often playing villains which included episodes of ‘The Prisoner’, several ‘Armchair Theatre’ dramas, ‘Adam Adamant Lives!’, ‘The Avengers’, ‘The Saint’, ‘The Persuaders’, ‘The Protectors’, ‘Hadleigh’, ‘The New Adventures of Black Beauty’ and ‘Space 1999’ among others. His career on TV progressed through the 1970s and he began to appear in more serious dramas such as the still terrifying post-apocalyptic drama, ‘Survivors’ in 1975 which gave me nightmares as a child, as well as in the classic epic drama, ‘I, Claudius’ (1976) in which he played Caractacus followed later by the wonderful Dennis Potter surreal musical drama, ‘Pennies From Heaven’ starring Bob Hoskins in 1978. It was at about this time he began appearing in sitcoms. Before he was cast as Richard DeVere in ‘To the Manor Born’, Bowles appeared in sitcoms starting with episodes of the classic ‘Rising Damp’ and ‘Bless Me Father’ starring Arthur Lowe.


After years as a character actor, Peter Bowles found his niche in ‘To the Manor Born’. As the 1970s morphed into the 1980s he started to become more in demand on British television screens. Within a month of appearing in the first episode of ‘To the Manor Born’, he would also go on to star in a sitcom on the “other side” for ITV’s Yorkshire Television, ‘Only When I Laugh’. A sitcom set on a hospital ward, Bowles plays Archie Glover and is about the relationship between three male patients. The show was another success for Bowles in this Eric Chappell written comedy which also starred James Bolam as Roy Figgis and Christopher Strauli as Norman Binns. It also starred the irrepressible Richard Wilson as the consultant surgeon and remained popular for several years until it ran out of steam in 1982 after four seasons. The 1980s was most definitely Peter Bowles decade, working as a regular in several TV series and sitcoms that also included the long running ‘Rumpole of the Bailey’ between 1978 -1992. He was by now starring in TV series as the lead protagonist in a number of show’s throughout the decade that included ‘The Irish R.M.’, ‘Perfect Scoundrels’, ‘The Bounder’ and ‘Lytton’s Diary’. In 1987 he was reunited with Penelope Keith for two seasons of the sitcom ‘Executive Stress’ playing Keith’s husband Donald after Geoffrey Palmer was unable to commit to the second season. In this sitcom Penelope Keith plays a middle aged and middle-class woman who decides to return to office work after being a housewife for years.

After a busy decade Peter Bowles went into semi-retirement on British TV screens after about 13 years of virtually never being off our screens. His career mostly spanned TV, though he was memorable in the Bracknell set paedophile thriller, The Offence (1972) starring Sean Connery. Once his career took off as a TV regular in 1978 he did not appear in a cinema released feature film until 1995 when he starred in the little seen corporate crime drama, The Steal starring Alfred Molina and Helen Slater. Even then his career was sporadic on both TV and cinema, though he made an appearance in the cult British crime film, The Bank Job (2008) starring Jason Statham and written by prolific writers of the big and small screen, Dick Clement and Ian La Frenais.

However, it is most likely that it will be for his role as Richard DeVere that Peter Bowles will be remembered by most. In the last episode of Season Three aired on 29th November 1981 Audrey had asked Richard to marry her. In the classic tradition of a Jane Austen novel in reverse, this marriage was not just out of love (even though of course their rather uptight sexual chemistry was the show’s driver) but in order to save the Grantleigh estate and home and as a bookend to the show’s first episode allows the stately home to return to the family name of fforbes-Hamilton. But that wasn’t the end, for in 2007 a Christmas Special of ‘To the Manor Was Born’ was aired by the BBC on Christmas Day. The story has Richard and Audrey celebrating their Silver Wedding Anniversary and the couple arranging for a rock concert to be held on the grounds of the estate. Of course that a Christmas Special should be made and televised on Christmas Day is testament to the show’s huge success and popularity. That popularity would not have been possible without the chemistry between Bowles and Keith. Indeed his popularity throughout the following decade since the show’s first airing was evidence of Bowles’ popularity. Dame Penelope Keith and Bowles would appear again together in 2010 for a regional tour of Sheridan's play ‘The Rivals’, directed by Sir Peter Hall.



Peter Bowles is survived by his wife of over 60 years, Susan and the three children they had together, Guy, Adam and Sasha.


Read an excellent interview with Peter Bowles: Here
Watch Peter Bowles on This Is Your Life: Here

Thursday, 3 March 2022

Films featured in Tate Modern's Love and Loss exhibition

'Love and Loss' the third Inside Job staff exhibition. This time the curators are; Jasmine Kee, Lou Montignac, Cristina Petrella, Kenneth Price, and Andrew Wyatt.

The location of the show is: Tate Exchange, Level 5 Blavatnik Building, Tate Modern. On Thursday 17th, Fri 18th, Sat 19th, sun 20th, Mon 21st Tues 22nd and Wed 23rd. The Inside Job exhibition will be open to the public between 12 to 6pm.For more info: insidejobcollective@gmail.com



'Love and Loss' features miniature 2D and 3D works plus live art and film and video. Here is some info on 5 of the films in the show...


1) Thom Seaman has made a film called 'Canary.' He says: "Canary takes inspiration from the Barbican Estate, once a hive of activity but now eerily desolate. The imposing brutalist architecture set the stage of this reflection on our unsettled state of existence. Struggling against the burdens imposed by isolation, we reach out in our own way, loudly or quietly, but with no choice but to move forward."
Visit Thom's Instagram @thom76a his film is included on his profile.

2)Julia Tchoudinova has contributed a film in which she interviews Sarah Wheeler who sadly passed away in April 2016.
Sarah, who used singing as therapy for her mental health condition, was a founder of The Dragon Cafe - a local art cafe that was a project of the Mental Fight Club, which she was a founder as well. Julia says: "Sarah was an amazing person, she was extremely intelligent and caring. She managed to turn her own suffering into such a positive and helpful force for many people. You can watch Julia interview Sarah here: After Singing In The Church.





3)Madison McCutcheon. Above is a j-peg of a frame from Madison's animation which is entitled The Night.
Madison says: "Since childhood I’ve experienced vivid dreams that often left me dealing with emotional burdens from events that never occurred. In March 2020, I found myself living alone for the first time during a global pandemic that caused millions to lose their lives. Death became an all-consuming subject, an unavoidable focal point to any conversation, and it bore into my pre-existing anxieties. I suppose these circumstances coincided to provide me with a dream which is the motivation behind this cyclical animation.  In this dream I was standing and observing my left hand, which developed a portal into an endless, dark expanse. While gathering my bearings, I became drawn into a white sphere elevated in the space that radiated a sense of love and comfort. I remember thinking plainly to myself, “Am I dying?” and being completely eased at the possibility. I have since held this feeling, attempting to keep it afloat by making it the subject of my paintings, drawings, animations, poetry, and sculptures."
See the animation: here


4)Ricardo Gil(see above)Ricardo's artwork is a Mp4 file and is stored in the blockchain as an NFT

4)Olivia lloyd-Sherlock's video is called, 'At Home And In My Head.' Olivia says:
"I made the work as a surreal exploration of if memory was a place what would it look like, how would one interact with it and traverse it. Throughout the course of the video, a lonely figure navigates this imagined memory landscape and forms a relationship with it. The work explores the physicality of memory and how the past can attach itself to us.  Memories activate both the good and bad moments of our existence, holding within us the loss and love in our lives. The video attempts to display this dualism of memory, creating an ambiguous and mysterious world which immerses the viewer in an otherworldly landscape."
Watch 'At Home And In My Head': Here

For more info: insidejobcollective@gmail.com